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What would you do if you worked a mundane finance job with middling pay in the city’s banking district, only to find that when you arrived at the office, you were taken hostage by a terrifying team of armed strangers? Unluckily for Zara (Sophie Turner), that’s exactly her Monday morning in the new Prime Video drama, Steal.
With the stakes immediately sky high, the six-part series is a far cry from other January streaming choices like Harlan Coben’s Run Away and Agatha Christie’s Seven Dials. It’s an original story, and it certainly feels fresh to watch. We’ve not had a money-led TV show in quite a while (and certainly not framed through workplace monotony), and oddly, the thing we always avoid talking about is going to become the subject of watercooler gossip.
Steal starts and ends with a financial implosion, but the middle is a drab sinking fund
In an ideal world, Steal would have been four episodes rather than six. Given that miniseries tend to be capped at six episodes (especially on a global streaming service), I’m not too surprised by the show’s structure, but by the time we reach the middle of the tale, we’re treading water.
There’s only so many times that Zara can tell others that she’s in trouble before it gets old, feeling as though her strife is something we’ve seen a million times before. Rather than being riddled with B-plots, Steal is focused on its main storyline at all times, and that leaves little wriggle room for creative exploration.
Sure, the heist becomes a literal matter of life-or-death, but sometimes you need a palette cleanser to offset a pill that’s truly tricky to swallow. Four episodes would have cut the chaff to get straight to the final climax, with little time for characters to wait around feeling sorry for themselves, even though the painful mess is all their fault.
As I’ve touched on, episode 1 is a lesson in how to open a show to any aspiring writer. The tension ticks along nicely, with Sophie Turner delivering arguably the best performance of her career to date – and certainly one of the most vulnerable.
Everything we learn about Zara during this build-up cannot be trusted, and that’s a seductive risk for us to play with. How much can we trust her, and how much can we trust her perspective of the heist? There are certainly no clean hands here, that’s for sure.
Motherland and Line of Duty fans rejoice – Anna Maxwell Martin is Steal’s secret weapon
As much as I thoroughly enjoyed Turner’s performance, I wouldn’t say that she’s the breakout star of the show. That accolade is reserved for Anna Maxwell Martin, who has about two scenes across the entire six episodes.
She’s a straight-talking MI5 enigma who meets with Zara on the sly to try and tease highly sought-after information out of her. Blunt and overtly threatening in her tone, Maxwell Martin turns in exactly how I’d imagine Julia from Motherland would be if she was a copper.
Unintentionally humorous, could potentially kill you, and more than anything, is completely over the drama that she’s been sucked into.
All-in-all, it’s a really solid outing from Steal. I really hope that Amazon can keep up this quality of content, even if it’s messy overall – I’d much rather TV took risks like this that didn’t land rather than play it one-note and totally safe.
Frankly, Steal is worth watching for its first episode alone, but the season finale isn’t too far behind in terms of satisfaction levels. If you’ve ever wished that you chose a high-flying financial career over whatever it is you do in real-life, this will reverse that pipe dream in the blink of an eye.
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